Alberto Crescitelli
Article published in Research No 90 37 - January 99
profuse creativity in a work of art manifests itself through a complex geometry, color and space. The overall balance in it sought, among imaginative fantasy and the implementation in real externalized on the canvas, is the "point spectroscopic individual" where you can see the personal and unique way to develop both the Actually, that its dreamlike . Why spectroscopic: frequency bands of light, geometric angles and perspectives, vibrate in a work of art.
The artist thinks "Yes, now (the work) is over, the overall balance of shapes, colors, symbolism adopted, fully satisfy my creative freedom ... I am proud of admiring , derive pleasure.. " In essence, the work accomplished, despite its complexity, it vibrates the floor libido (sexual and emotional) and intellectual (mental conceptual and abstract) of the artist. It is an extension, gives pleasure, and very often the artist identified with it as if it were really a daughter ... And he feels over, completed a work, when you hear this from fully represented.
Now it is known that the colors are just pigment and mineral lands of nature (crystals) and metals, which have absorption and reflection of light. Less well known is that every artist has the details angles of perspective and vanishing points (projections scaled relegated to the geocentric view) that are congenial, happy because they facilitate the success of the Opera a.
intuitive point of this research, therefore, are angles of perspective and geometric structures congenial to the artist (which we quite rightly be similar to those corners generated by planetary aspects), the use of colors (color mixtures) and light (due to the refraction of the dominant spectroscopy) and the correlation archeosimbolica what connection box.
So, we have three elements that invite us to consider the artist-man as a "being" light processor, with his own band spectroscopic and prismatic angles.
We should not wonder, because research on the atom (which make up our bodies) report on the strange combination of wave-particle of matter.
The artist thinks "Yes, now (the work) is over, the overall balance of shapes, colors, symbolism adopted, fully satisfy my creative freedom ... I am proud of admiring , derive pleasure.. " In essence, the work accomplished, despite its complexity, it vibrates the floor libido (sexual and emotional) and intellectual (mental conceptual and abstract) of the artist. It is an extension, gives pleasure, and very often the artist identified with it as if it were really a daughter ... And he feels over, completed a work, when you hear this from fully represented.
Now it is known that the colors are just pigment and mineral lands of nature (crystals) and metals, which have absorption and reflection of light. Less well known is that every artist has the details angles of perspective and vanishing points (projections scaled relegated to the geocentric view) that are congenial, happy because they facilitate the success of the Opera a.
intuitive point of this research, therefore, are angles of perspective and geometric structures congenial to the artist (which we quite rightly be similar to those corners generated by planetary aspects), the use of colors (color mixtures) and light (due to the refraction of the dominant spectroscopy) and the correlation archeosimbolica what connection box.
So, we have three elements that invite us to consider the artist-man as a "being" light processor, with his own band spectroscopic and prismatic angles.
We should not wonder, because research on the atom (which make up our bodies) report on the strange combination of wave-particle of matter.
"These sub-atomic units of matter are very abstract entities, which have a dual aspect. Depending on how we observe them, they appear sometimes as particles, sometimes as waves, and this dual nature is also exhibited by light, which may take the form of particles or electromagnetic waves. "
"This dual nature of matter and light is very strange. It seems impossible to accept the idea that something can be at the same time, a particle, an entity confined to a very small volume, and a wave, which spreads over a large region of space. "
"While acting as a particle, is capable of developing its wave nature at the expense of the particle and vice versa. This means that neither the electron nor any other atomic object has intrinsic properties independent of its environment. Yet this is exactly the concept that physicists had to accept. "
From "Science and Life"
A. Einstein - Max Born Hedwig and Letters 1916-1955 - Einaudi Ed
This it is also true in a strictly biological, as the plant photosynthesis is the first link in the food chain.
In other words, I mean that a work of art reflects the personal and unique way to draw the energies of the various levels of access consciousness and the unconscious, in their variety multi-dimensional.
During my studies I applied observed a close relationship of the creative product of an artist with the structure of the horoscope celestial map, here I propose a very interesting case. Two works by painter Stephen Sabatino.
I met this remarkable artist in 1996, and in April of that year I had the opportunity to observe his work.
I saw "Towards the bottom," a painting made on wood panel with oil paint and I was immediately struck by the incredible and clear references cosmogonic individual present in the Opera. I prayed so Stefania Sabatino give me references to time of his birth in order to observe the sky map. I asked her later photographs of his works, especially the photo of "Towards the bottom."
I rushed in the comparative study of the sky map and the picture, looking for something that could justify the use of symbols as the original. ..
In other words, I mean that a work of art reflects the personal and unique way to draw the energies of the various levels of access consciousness and the unconscious, in their variety multi-dimensional.
During my studies I applied observed a close relationship of the creative product of an artist with the structure of the horoscope celestial map, here I propose a very interesting case. Two works by painter Stephen Sabatino.
I met this remarkable artist in 1996, and in April of that year I had the opportunity to observe his work.
I saw "Towards the bottom," a painting made on wood panel with oil paint and I was immediately struck by the incredible and clear references cosmogonic individual present in the Opera. I prayed so Stefania Sabatino give me references to time of his birth in order to observe the sky map. I asked her later photographs of his works, especially the photo of "Towards the bottom."
I rushed in the comparative study of the sky map and the picture, looking for something that could justify the use of symbols as the original. ..
Fig. 1
Dedicating the sky map to my attention Stefania parallel observation of the work, it was clear that was used as a support and virtual container nothing less than the area of \u200b\u200ba circle pierced by a javelin protruding from the support for other plastically wood was used as the canvas. (Fig.1)
You should know that a few hundred years ago, the glyph used by astrologers and the alchemists to represent the planet Mars, was a javelin through a circle .. This observation gave me the first key to understanding: the area horoscopic eager to show work and its users, is the dominant Venus-Mars, however considered the planetary symbol clearly shown and the dominance of the color red. The latter was used as a skin color of the female body, and therefore symbolizes the fusion-junction of the two stars. Let us look at the paper horoscopes: Mars is conjunct Venus, in Gemini. (Fig.2)
You should know that a few hundred years ago, the glyph used by astrologers and the alchemists to represent the planet Mars, was a javelin through a circle .. This observation gave me the first key to understanding: the area horoscopic eager to show work and its users, is the dominant Venus-Mars, however considered the planetary symbol clearly shown and the dominance of the color red. The latter was used as a skin color of the female body, and therefore symbolizes the fusion-junction of the two stars. Let us look at the paper horoscopes: Mars is conjunct Venus, in Gemini. (Fig.2)
Fig. 2
The conjunction of the two stars is very narrow, only two degrees.
course in a women's issue these two planets are very important, because it represent the ideal. Beauty, strength, balance and instincts, even procreation. In the specific case of the painter, that the conjunction takes the role of co-dominant along with Uranus (planet rising on the horizon at birth) because the government has Venus in Taurus is the stellium (Sun, Mercury, Saturn and Moon) of the Ascendant is in Libra. Mars, in turn, governs the stellium bull as located in the eighth field.
But the real subtlety of this map horoscopic indeed lies in the mercurial astuteness all twins (the conjunction is eighth in the field but in Gemini), which can in any "global chessboard" to conceal its presence and action (Air).
course in a women's issue these two planets are very important, because it represent the ideal. Beauty, strength, balance and instincts, even procreation. In the specific case of the painter, that the conjunction takes the role of co-dominant along with Uranus (planet rising on the horizon at birth) because the government has Venus in Taurus is the stellium (Sun, Mercury, Saturn and Moon) of the Ascendant is in Libra. Mars, in turn, governs the stellium bull as located in the eighth field.
But the real subtlety of this map horoscopic indeed lies in the mercurial astuteness all twins (the conjunction is eighth in the field but in Gemini), which can in any "global chessboard" to conceal its presence and action (Air).
work of art is pure communication.
Communication, in this case, the irrepressible sensuality and sexuality sublimated in artistic expression, purely by virtue sling. The Mannerist Uranus, virginal technocrat of the Baroque era (the worthy expression and function in the human body are the hands), lord of every constructive revolution, lives his artistic time, today, in a freedom of expression almost total. In centuries past, would never be possible for a woman to express freedom in symbolism so closely related to the libidinal forces creative and procreative female.
genialoide not negligible footprint that gives the subject very dear to the artists.
continue our investigation.
The scenic setting in which the work is artistically represented the conjunction is the sea, the water. The choice of this as "background" (which emerge on the octopus and the sinuous body of the girl) is due to the dominant third (support) The Sun-Saturn-Mercury conjunction in the eighth field, field horoscopic cosignificante Scorpio, precisely Water sign.
In almost all of the artistic production of Sabatino and marine waters are in fact scenarios, with all the habitats they own.
continued then the parallels between the work and the chart ...
noticing the tentacles of an octopus clinging and sinuous female torso and the auction of the spear, I tried to justify the global relevance 'symbolic use of this giant clam.
... Yes Neptune, Neptune in opposition aspect to Mars and Venus, at around 189 °.
Communication, in this case, the irrepressible sensuality and sexuality sublimated in artistic expression, purely by virtue sling. The Mannerist Uranus, virginal technocrat of the Baroque era (the worthy expression and function in the human body are the hands), lord of every constructive revolution, lives his artistic time, today, in a freedom of expression almost total. In centuries past, would never be possible for a woman to express freedom in symbolism so closely related to the libidinal forces creative and procreative female.
genialoide not negligible footprint that gives the subject very dear to the artists.
continue our investigation.
The scenic setting in which the work is artistically represented the conjunction is the sea, the water. The choice of this as "background" (which emerge on the octopus and the sinuous body of the girl) is due to the dominant third (support) The Sun-Saturn-Mercury conjunction in the eighth field, field horoscopic cosignificante Scorpio, precisely Water sign.
In almost all of the artistic production of Sabatino and marine waters are in fact scenarios, with all the habitats they own.
continued then the parallels between the work and the chart ...
noticing the tentacles of an octopus clinging and sinuous female torso and the auction of the spear, I tried to justify the global relevance 'symbolic use of this giant clam.
... Yes Neptune, Neptune in opposition aspect to Mars and Venus, at around 189 °.
Fig. 3 The artist creates an original perspective desired characteristics defined as "well effect" (Fig.3) . In fact, observing the work, we have the impression of looking down at the mouth of a well, spring, and it is as if we see this scene: a young woman dragged to the bottom from the tentacles of an octopus.
In truth, to grasp the perfect bearing on the sky map, we produrci in an exercise in observation of an entirely new theme horoscopes, move from a two-dimensional to a three-dimensional vision.
Figure 3, we can see the comparison to the classical representation (two dimensional) appearance of the test, transposed three-dimensionally.
giving depth to all the zodiac and the planetary system of the paper, and assuming observing the sky from Mars with the ability to see with the naked eye Neptune, at the hour and the birthday of Sabatino, we would realize Neptune is invisible in the "eclipsed" by Venus. As you can infer from the perspective used in the work, the observer (ie we) see the sky as if it were on Mars, or even better on a spaceship, which is also in orbit conjunction with external Venus and Mars, and of course in opposition to Neptune. (Fig.4 )
In truth, to grasp the perfect bearing on the sky map, we produrci in an exercise in observation of an entirely new theme horoscopes, move from a two-dimensional to a three-dimensional vision.
Figure 3, we can see the comparison to the classical representation (two dimensional) appearance of the test, transposed three-dimensionally.
giving depth to all the zodiac and the planetary system of the paper, and assuming observing the sky from Mars with the ability to see with the naked eye Neptune, at the hour and the birthday of Sabatino, we would realize Neptune is invisible in the "eclipsed" by Venus. As you can infer from the perspective used in the work, the observer (ie we) see the sky as if it were on Mars, or even better on a spaceship, which is also in orbit conjunction with external Venus and Mars, and of course in opposition to Neptune. (Fig.4 )
Fig. 4 Figure 4, you can see the symbolic transposition and technical work. Hits immediately available to the two globes. By measuring the distance in degrees between their centers, we get the same distance in degrees of the zodiac configuration under consideration. Interesting, is not it? Let us now turn to another work of Sabatino, "Lido enchanted."
This painting was created on a normal canvas, its unique features is the fishing net supported "really" on the left edge.
This painting was created on a normal canvas, its unique features is the fishing net supported "really" on the left edge.
To usher in this second analysis, we take from the article "A lyrical flight in the cosmos," which I wrote for the number 34 R 90, the following passage: "(...) Of course it is not easy to find the coordinates of interpretation and analogies with astral radiation, because in the various works of an artist's inspiration is acting just like the unconscious, with complete freedom using the symbolic language of its structural chart, "and excited" by the transits, as happens in dreams . still be necessary to examine fundamentally the planets and the fields related to the libido, the dominant, the luminaries, and will not insignificant geometric structures created by issues that tend to be repetitive pattern, "skeleton" of the carrier sense of balance and aesthetic construction. "
intuitive Another key is represented by the color choices that the artist does, we call here as individual spectrum "(basically the colors I use to feel fully represented), as it reveals the" color "of temperament, the colors that dominate his expressive verve ...
To facilitate ' Observation geometric structures created by aspects , I simplified the graph of the map horoscope. (Figg.5 and 6)
intuitive Another key is represented by the color choices that the artist does, we call here as individual spectrum "(basically the colors I use to feel fully represented), as it reveals the" color "of temperament, the colors that dominate his expressive verve ...
To facilitate ' Observation geometric structures created by aspects , I simplified the graph of the map horoscope. (Figg.5 and 6)
Fig. 5
You can see in figure 5, the overlay of the stars, and issues related to them. The diversity of this painting by Towards the bottom is in it "the zone horoscope eager to show work and its users is the dominant aspectorium of stingrays and the squaring of the lunar node. We observe the arm of this girl has features muscular male (even in other works of Sabatino are female busts with arms by male features), and has a hue that gradually fades into red (Mars). And yet look at her hair (symbol of beauty Venus) dissolved in a flourish by the stigmata Neptunian (Venus "colored" by the opposition of Neptune).
hours careful when collecting the ball of light (which has a glow like the moon) in the fish with . The square aspect (92 degrees) between the north node and the Mars-Venus conjunction is virtually transposed in the representation of the arm from the shoulder strong martial. and the North Node, 8 ° 44 ', none falls in Pisces .
entire torso and lower back is due to the double sting of rising and Uranus to Mars-Venus conjunction.
The degree of obliquity of the trunk is rather inversely projected work; mirror. (Fig. 5)
The intersection of two stingrays Pluto trine the Sun create similarities with the buttocks and legs, as if they referred to the branch from the trunk. Another important analogy is that Pluto, ruler of the excretory and procreative urges, is located there, where the body is home to such functions.
The left leg was then painted purple, comparable to the Saturn-Pluto trine Sun.
At this point, I think this was taken a step forward in revealing the structure kaleidoscopic, prismatic fractal of person- human nature. And I believe that art, in the collective consciousness, has an important place precisely because gateway to the inherent nature, "Holos" .
hours careful when collecting the ball of light (which has a glow like the moon) in the fish with . The square aspect (92 degrees) between the north node and the Mars-Venus conjunction is virtually transposed in the representation of the arm from the shoulder strong martial. and the North Node, 8 ° 44 ', none falls in Pisces .
entire torso and lower back is due to the double sting of rising and Uranus to Mars-Venus conjunction.
The degree of obliquity of the trunk is rather inversely projected work; mirror. (Fig. 5)
The intersection of two stingrays Pluto trine the Sun create similarities with the buttocks and legs, as if they referred to the branch from the trunk. Another important analogy is that Pluto, ruler of the excretory and procreative urges, is located there, where the body is home to such functions.
The left leg was then painted purple, comparable to the Saturn-Pluto trine Sun.
At this point, I think this was taken a step forward in revealing the structure kaleidoscopic, prismatic fractal of person- human nature. And I believe that art, in the collective consciousness, has an important place precisely because gateway to the inherent nature, "Holos" .
Conclusions
I that this study makes a significant contribution to our research, since it includes within the discipline of astrological concepts of light and processing capacity is reflective of the stars of that microcosm, processing using three-dimensional and color a paper horoscope. From this point of view, the entire planetary aspectorium is regarded as a genuine organic-geometric structure, which reflects itself independently .
Another very interesting part of our "painting event" is that the psychic painting of Sabatino are present libidinal forces and symbols are the most instinctive and unconscious impulses that move the human, and these drives, as we have seen, are in close alliance with the forces and energies of the Grande Arche, the nature (our solar system and generates nature. ).
The unconscious (as unknowable) is comparable to the non-local variables (not known) quantum mechanics (instant connections with the universe as a whole in time and space).
Only Art Urania, he could discover the source of a dream tramutatosi into a work of art ... The reason why in the old days - and still in the East - the arts were considered "tools of initiation," is that in fact they are introspective means to access the heart of the soul and spirit.
Another very interesting part of our "painting event" is that the psychic painting of Sabatino are present libidinal forces and symbols are the most instinctive and unconscious impulses that move the human, and these drives, as we have seen, are in close alliance with the forces and energies of the Grande Arche, the nature (our solar system and generates nature. ).
The unconscious (as unknowable) is comparable to the non-local variables (not known) quantum mechanics (instant connections with the universe as a whole in time and space).
Only Art Urania, he could discover the source of a dream tramutatosi into a work of art ... The reason why in the old days - and still in the East - the arts were considered "tools of initiation," is that in fact they are introspective means to access the heart of the soul and spirit.
"Making art is good."
One last thing before I leave, Stefania Sabatino knows nothing about astrology, and I had the pleasure of being the first scholar who met with astrology.
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