Poptropica Hacking Device

Heart infiltrated the heart of police



Fandom: Squadra Speciale Cobra 11
Pairing: Chris (Mark) Erik, Semir
Storyline: shortly after the double episode Life and Death
WARNING: Content slash NC17 for sex scenes

Icy, such as bathroom tiles behind his back. Chris is abandoned on the cold tiles of the bathroom and impersonal Semir. Andrea is not there and since they have been engaged in a chase last agony, ended up at the home of turkish. Chris
peers who left the door ajar maliciously. Do not know if it hopes or fears most that connects to enter. Sigh. But it is a sigh of pleasure rather than pain, because the very idea made him stand on end. Lowers his head. His cock pointing straight toward the sky or rather stopped at half-mast because it was against the force of gravity can not even the genuine Teutonic manhood. If he was a pervert would take satisfaction in touch in the bathroom of her boyfriend. A warm up those tiles so cool with his hot seed, but give up. He closes his eyes. He steps forward, not quite as complete a step while walking down the street, a half step. He has sufficient so that his cock touch the tiles. Suddenly shut off the steam from the shower. He heard footsteps.
"I brought the robe" does know the landlord.
"Ok" snorts. Chris is irritating his voice when he is so horny, so shrill, falsetto type. And why not Semir came to the shower with him? Maybe it's a good thing, because it does not really want it.
Fifteen minutes later he wrapped nell'accappatoio fellow, sitting on the couch. A beer can in his right hand. In the other's bare thigh Semir. He also has a shower. Chris knows what he needs his colleague, and he would cost so little. Spostare il palmo finché non arriva tra le gambe. Masturbarlo piano, poi più veloce. Non sarebbe nemmeno la prima volta che gli fa quel lavoro. Di certo non è la prima volta che fa godere un uomo. Sogghigna al pensiero. Una sega è una roba da ragazzetti. Ma, in fondo, cos’è Semir se non un bambino mai cresciuto che si diverte ad inseguire i cattivi come i personaggi dei videogiochi? Eppure ha una donna, una moglie e una figlia. Ha amato in passato, ha amato pienamente un altro uomo prima di lui.
Chris volta la testa verso la sua. Lentamente si avvicina, anche l’altro si tende. Le labbra si sfiorano appena. Il loro secondo bacio. Poi finalmente Chris lo fa davvero: prima appoggia la birra per terra. E poi lo tocca. E intanto il bacio incalza, duro, passionale.
Non dura molto ma neanche poco come la prima volta. Dopo l’orgasmo il bacio si fa più lento, più dolce.
“Non è solo questo per me Chris” lo abbraccia. Le dita percorrono la schiena, incontrano le cicatrici, le vezzeggiano. L’altro poliziotto sospira. Prima di Semir solo uno gli aveva insegnato a non vergognarsene, anzi le trovava persino sexy! Lui. Ma quelle erano di Mark Jager, non di Chris.
“Anch’io ti amo Semir” il turco risponde sorridendogli con dolcezza. Dopo aver perso Tom non avrebbe mai immaginato di provare di nuovo sentimenti così intensi per qualcuno. Invece quando lo guarda sente che Chris è tutto quello di cui ha bisogno. So why do not you let go? Semir But do not give up and he returns to the office: the bends on the couch. Chris finds himself with his back on the comfortable corduroy. The robe is opened by itself. Semir
notes kidnapped fabulous chest exposed. So muscular, smooth, attractive indeed. Swallow the saliva "You're beautiful ... do not know how you would like to "say that it bends and kisses: the collarbones, the chest, stomach, abs.
a step away from the fuck: "Please do not!"
"Why? We want both Chris "
" Not me, not just "the little guy
The glares. She realized that Chris is hiding something. A secret. Beautiful and nice, big number.
"Who would not be fair?" Chris caresses him with her eyes. Sits up. He knows he can not put off. Must rely, to say the truth that's preventing it from choking the breath to let go. He opens his mouth and listen Semir.
had just entered into the shoes of Mark Jager in order to flush out the organization dedicated human trafficking led by Roman and Erik Gehlen. The latter was the person who introduced it more than anyone else in that microcosm of sex, lots of sex, cocaine and a life to the limit. A circus of transgression whose spiral appeared undamaged end. Eric gave him the best hookers in exchange for a single condition: that the left look. At first, the thought had infiltrated it is simply a propensity for voyeurism. Nothing special. Once, however, a strange thing happened. While on duty the bitch was changed to the bathroom, Erik sat in the armchair watching accomplice still naked and pours with a curious smile satisfied. He had his pants down and smeared semen, yet the pudenda. But did not think of any way to rearrange preferring to look at Mark and he took off the condom, and then tying him down on the bedside table. He got up and joined him sedendogli next. Mark became red, the numbing gaze made him feel more naked than it already was. The dealer reached out and touched his chest. At that light contact him shuddered.
"You're beautiful Mark Jager" looked at him with desire as she touched him "damn sexy" added: "I love how you make your goals and how to fuck" Mark said nothing, but understood. Erik Gehlen did not want to attend the performance as voyeur: he had a soft spot for him. So we made the case and subsequent times that recurred tended to Mark that special occasion where the attention of young Gehlen was. There was more room for doubt, Erik did not think of any way to the girl above or below him, the man looked at constantly. This led to infiltrate several concerns. Not least among the things become more complicated them. Whenever the two were left alone, Mark was an excuse to leave. Until one day Erik not noticed it.
"Are you afraid to be alone with me, right?" Put it back to the wall without touching it, only with the prowess of his body.
"What makes you think that?"
"Do not take the piss. I understand that you understand ... "
" What is speech? You probably drank the brain? "
Erik said with a chuckle. He brought his face close to hers. "Do you understand that I like is that I want to fuck you" Mark was crossed by a long chill. Whether it was fear or excitement or both did not matter. The fact is that, suddenly everything was clear to him. He too wanted: Mark Jager wanted the creature without heart and brain of Erik Gehlen. The lightning move that saw Mark's eyes made him grin of satisfaction.
"Well ... well, as I thought. Also you want me ... perfect "the patted his bottom lip with his forefinger. Mark promptly stuck out his tongue to lick it. He did not know what was a good thing lasciasi screwed by his enemy. Surely it was not for Chris Ritter, but Mark Jager ... moved into the bedroom giving and gave vent to all the desire that kept enclosed inside.

annihilated by the discovery Semir looks at his colleague did not speak.
"Now I am disgusting, right?"
"I do not know, would you?"
"I should ... I had an affair with ... with those who ended the life of your great love, Tom Kranich "
" It's not gone well "Semir smiles sweetly" Mark Jager had an affair with Erik Gehlen "Chris opens his mouth in surprise. He thinks that he should not give all that weight. Mark was in the arms of the poor bastard who killed Tom, not him! Semir And there came almost immediately!
"The heart of Mark is owned by Erik. Chris belongs only to me "comes close again and kissed him. This time Chris did not prevent him from continuing. Free at last to give space to the heart of a policeman.

Prices Of Quo Brushes

The case painting Stefania Sabatino

Alberto Crescitelli

Article published in Research No 90 37 - January 99

profuse creativity in a work of art manifests itself through a complex geometry, color and space. The overall balance in it sought, among imaginative fantasy and the implementation in real externalized on the canvas, is the "point spectroscopic individual" where you can see the personal and unique way to develop both the Actually, that its dreamlike . Why spectroscopic: frequency bands of light, geometric angles and perspectives, vibrate in a work of art.
The artist thinks "Yes, now (the work) is over, the overall balance of shapes, colors, symbolism adopted, fully satisfy my creative freedom ... I am proud of admiring , derive pleasure.. " In essence, the work accomplished, despite its complexity, it vibrates the floor libido (sexual and emotional) and intellectual (mental conceptual and abstract) of the artist. It is an extension, gives pleasure, and very often the artist identified with it as if it were really a daughter ... And he feels over, completed a work, when you hear this from fully represented.
Now it is known that the colors are just pigment and mineral lands of nature (crystals) and metals, which have absorption and reflection of light. Less well known is that every artist has the details angles of perspective and vanishing points (projections scaled relegated to the geocentric view) that are congenial, happy because they facilitate the success of the Opera a.
intuitive point of this research, therefore, are angles of perspective and geometric structures congenial to the artist (which we quite rightly be similar to those corners generated by planetary aspects), the use of colors (color mixtures) and light (due to the refraction of the dominant spectroscopy) and the correlation archeosimbolica what connection box.
So, we have three elements that invite us to consider the artist-man as a "being" light processor, with his own band spectroscopic and prismatic angles.
We should not wonder, because research on the atom (which make up our bodies) report on the strange combination of wave-particle of matter.

"These sub-atomic units of matter are very abstract entities, which have a dual aspect. Depending on how we observe them, they appear sometimes as particles, sometimes as waves, and this dual nature is also exhibited by light, which may take the form of particles or electromagnetic waves. "

"This dual nature of matter and light is very strange. It seems impossible to accept the idea that something can be at the same time, a particle, an entity confined to a very small volume, and a wave, which spreads over a large region of space. "

"While acting as a particle, is capable of developing its wave nature at the expense of the particle and vice versa. This means that neither the electron nor any other atomic object has intrinsic properties independent of its environment. Yet this is exactly the concept that physicists had to accept. "

From "Science and Life"
A. Einstein - Max Born Hedwig and Letters 1916-1955 - Einaudi Ed

This it is also true in a strictly biological, as the plant photosynthesis is the first link in the food chain.
In other words, I mean that a work of art reflects the personal and unique way to draw the energies of the various levels of access consciousness and the unconscious, in their variety multi-dimensional.
During my studies I applied observed a close relationship of the creative product of an artist with the structure of the horoscope celestial map, here I propose a very interesting case. Two works by painter Stephen Sabatino.
I met this remarkable artist in 1996, and in April of that year I had the opportunity to observe his work.
I saw "Towards the bottom," a painting made on wood panel with oil paint and I was immediately struck by the incredible and clear references cosmogonic individual present in the Opera. I prayed so Stefania Sabatino give me references to time of his birth in order to observe the sky map. I asked her later photographs of his works, especially the photo of "Towards the bottom."
I rushed in the comparative study of the sky map and the picture, looking for something that could justify the use of symbols as the original. ..

Fig. 1

Dedicating the sky map to my attention Stefania parallel observation of the work, it was clear that was used as a support and virtual container nothing less than the area of \u200b\u200ba circle pierced by a javelin protruding from the support for other plastically wood was used as the canvas. (Fig.1)
You should know that a few hundred years ago, the glyph used by astrologers and the alchemists to represent the planet Mars, was a javelin through a circle .. This observation gave me the first key to understanding: the area horoscopic eager to show work and its users, is the dominant Venus-Mars, however considered the planetary symbol clearly shown and the dominance of the color red. The latter was used as a skin color of the female body, and therefore symbolizes the fusion-junction of the two stars. Let us look at the paper horoscopes: Mars is conjunct Venus, in Gemini. (Fig.2)

Fig. 2

The conjunction of the two stars is very narrow, only two degrees.
course in a women's issue these two planets are very important, because it represent the ideal. Beauty, strength, balance and instincts, even procreation. In the specific case of the painter, that the conjunction takes the role of co-dominant along with Uranus (planet rising on the horizon at birth) because the government has Venus in Taurus is the stellium (Sun, Mercury, Saturn and Moon) of the Ascendant is in Libra. Mars, in turn, governs the stellium bull as located in the eighth field.
But the real subtlety of this map horoscopic indeed lies in the mercurial astuteness all twins (the conjunction is eighth in the field but in Gemini), which can in any "global chessboard" to conceal its presence and action (Air).

work of art is pure communication.
Communication, in this case, the irrepressible sensuality and sexuality sublimated in artistic expression, purely by virtue sling. The Mannerist Uranus, virginal technocrat of the Baroque era (the worthy expression and function in the human body are the hands), lord of every constructive revolution, lives his artistic time, today, in a freedom of expression almost total. In centuries past, would never be possible for a woman to express freedom in symbolism so closely related to the libidinal forces creative and procreative female.
genialoide not negligible footprint that gives the subject very dear to the artists.
continue our investigation.
The scenic setting in which the work is artistically represented the conjunction is the sea, the water. The choice of this as "background" (which emerge on the octopus and the sinuous body of the girl) is due to the dominant third (support) The Sun-Saturn-Mercury conjunction in the eighth field, field horoscopic cosignificante Scorpio, precisely Water sign.
In almost all of the artistic production of Sabatino and marine waters are in fact scenarios, with all the habitats they own.
continued then the parallels between the work and the chart ...
noticing the tentacles of an octopus clinging and sinuous female torso and the auction of the spear, I tried to justify the global relevance 'symbolic use of this giant clam.
... Yes Neptune, Neptune in opposition aspect to Mars and Venus, at around 189 °.

Fig. 3

The artist creates an original perspective desired characteristics defined as "well effect" (Fig.3) . In fact, observing the work, we have the impression of looking down at the mouth of a well, spring, and it is as if we see this scene: a young woman dragged to the bottom from the tentacles of an octopus.
In truth, to grasp the perfect bearing on the sky map, we produrci in an exercise in observation of an entirely new theme horoscopes, move from a two-dimensional to a three-dimensional vision.
Figure 3, we can see the comparison to the classical representation (two dimensional) appearance of the test, transposed three-dimensionally.
giving depth to all the zodiac and the planetary system of the paper, and assuming observing the sky from Mars with the ability to see with the naked eye Neptune, at the hour and the birthday of Sabatino, we would realize Neptune is invisible in the "eclipsed" by Venus. As you can infer from the perspective used in the work, the observer (ie we) see the sky as if it were on Mars, or even better on a spaceship, which is also in orbit conjunction with external Venus and Mars, and of course in opposition to Neptune. (Fig.4 )

Fig. 4

Figure 4, you can see the symbolic transposition and technical work. Hits immediately available to the two globes. By measuring the distance in degrees between their centers, we get the same distance in degrees of the zodiac configuration under consideration. Interesting, is not it? Let us now turn to another work of Sabatino, "Lido enchanted."
This painting was created on a normal canvas, its unique features is the fishing net supported "really" on the left edge.

To usher in this second analysis, we take from the article "A lyrical flight in the cosmos," which I wrote for the number 34 R 90, the following passage: "(...) Of course it is not easy to find the coordinates of interpretation and analogies with astral radiation, because in the various works of an artist's inspiration is acting just like the unconscious, with complete freedom using the symbolic language of its structural chart, "and excited" by the transits, as happens in dreams . still be necessary to examine fundamentally the planets and the fields related to the libido, the dominant, the luminaries, and will not insignificant geometric structures created by issues that tend to be repetitive pattern, "skeleton" of the carrier sense of balance and aesthetic construction. "
intuitive Another key is represented by the color choices that the artist does, we call here as individual spectrum "(basically the colors I use to feel fully represented), as it reveals the" color "of temperament, the colors that dominate his expressive verve ...
To facilitate ' Observation geometric structures created by aspects , I simplified the graph of the map horoscope. (Figg.5 and 6)

Fig. 5

You can see in figure 5, the overlay of the stars, and issues related to them. The diversity of this painting by Towards the bottom is in it "the zone horoscope eager to show work and its users is the dominant aspectorium of stingrays and the squaring of the lunar node. We observe the arm of this girl has features muscular male (even in other works of Sabatino are female busts with arms by male features), and has a hue that gradually fades into red (Mars). And yet look at her hair (symbol of beauty Venus) dissolved in a flourish by the stigmata Neptunian (Venus "colored" by the opposition of Neptune).
hours careful when collecting the ball of light (which has a glow like the moon) in the fish with . The square aspect (92 degrees) between the north node and the Mars-Venus conjunction is virtually transposed in the representation of the arm from the shoulder strong martial. and the North Node, 8 ° 44 ', none falls in Pisces .
entire torso and lower back is due to the double sting of rising and Uranus to Mars-Venus conjunction.
The degree of obliquity of the trunk is rather inversely projected work; mirror. (Fig. 5)
The intersection of two stingrays Pluto trine the Sun create similarities with the buttocks and legs, as if they referred to the branch from the trunk. Another important analogy is that Pluto, ruler of the excretory and procreative urges, is located there, where the body is home to such functions.
The left leg was then painted purple, comparable to the Saturn-Pluto trine Sun.
At this point, I think this was taken a step forward in revealing the structure kaleidoscopic, prismatic fractal of person- human nature. And I believe that art, in the collective consciousness, has an important place precisely because gateway to the inherent nature, "Holos" .

Conclusions

I that this study makes a significant contribution to our research, since it includes within the discipline of astrological concepts of light and processing capacity is reflective of the stars of that microcosm, processing using three-dimensional and color a paper horoscope. From this point of view, the entire planetary aspectorium is regarded as a genuine organic-geometric structure, which reflects itself independently .
Another very interesting part of our "painting event" is that the psychic painting of Sabatino are present libidinal forces and symbols are the most instinctive and unconscious impulses that move the human, and these drives, as we have seen, are in close alliance with the forces and energies of the Grande Arche, the nature (our solar system and generates nature. ).
The unconscious (as unknowable) is comparable to the non-local variables (not known) quantum mechanics (instant connections with the universe as a whole in time and space).
Only Art Urania, he could discover the source of a dream tramutatosi into a work of art ... The reason why in the old days - and still in the East - the arts were considered "tools of initiation," is that in fact they are introspective means to access the heart of the soul and spirit.

"Making art is good."

One last thing before I leave, Stefania Sabatino knows nothing about astrology, and I had the pleasure of being the first scholar who met with astrology.

Tech Deck New Online Game

summer 2010 NIE, pàrenu them tools * zi ...

And I 250 I made an overview to the Cadastre, I organized a conference, I studied the feasibility of the idea of \u200b\u200b"Ward of the artists' ... that people who suck ...!

the newspaper on 5 March 2010, the good still tells you that ...


Other bestiality, or say "dishonesty grammar", can be found in the catalogs of art exhibitions from Lecce bombastic titles ...
that pain, poor sponsor ... I bear
barely presumption ("very" barely ...), but not ignorance.
Untermenschen ...

Hyperglycemia Treatment More Condition_symptoms

'Cathay' of Ezra Pound

Nicola D'Ugo

On April 1, 1977 appeared on The Times Literary Supplement , in English translation, an article by Gianfranco Contini on Ezra Pound, who stated:

The sticking point is this: a writer who was a translator prince, not only by almost all East Asian languages \u200b\u200bunverifiable, but family territories, as it was his understanding the letter (just to cite as an example paraphrase of the minimum final Inferno XXVIII in Near Perigod ), it is not poetic usable in Italian translations. Not sure which versions are missing, just enough to mention by way of praise, than those of his daughter exegetically capital, the most faithful and committed Alfredo Rizzardi, John Smith. But too many, even signatures of celebrated, have grappled with in a piecemeal and homage to Pound as a sort of board games. . . . Do not hesitate to say that [these temptations approximate] or distort a letter or leave evaporate poetry. ("Ezra Pound and Italy," in literary articles and exercises Last , Einaudi, Torino 1989, pp. 267-268).

Risk is certainly remarkable if you consider the exceptional musical abilities of Pound that accompanied throughout his life that his tough and stubborn character that looked behind the mirage of an intuition, which leaned on the page to refine the one hand (it took two years to compose the two verses of "In a Station of the Metro," which reflect the impressions of the first glimpses of his arrival in Paris), who adapted the meaning and sound of a word that a hundred other poets were left unchanged. In an interview recorded in New York on November 22, 1968 by Fernanda Pivano, Allen Ginsberg said that William Carlos Williams had told him that Pound was equipped with a "mystic ear ', ie, had a unique ability in capturing the prosodic length of the vowels, the anniversary of accentual phrases apparently metrically irregular

Pound's ear was sensitive 'mystical' qualities of music and the length of the vowels. . . . That ear led to poets who pay more attention to the contents of what was said, because they had to be aware of how pronounced the sentences, the way in which the direction was given and what emphasis should be placed on this or that vowel . ("Conversation on prosody: Fernanda Pivano interview with Allen Ginsberg," in Allen Ginsberg, Mantra of the King of May, Mondadori, Milan 1976, pp. 12-13).

Told by William Carlos Williams, whose capacity of hearing and speech tone reproduction has given us examples of extraordinary poetic charm (just think of the whiteness of the poem "This Is Just to Say" and " Turkey in the Straw, "in Collected Poems , Paladin, London 1986, vol. I, p. 372 and Paladin, London 1991, vol. II, p. 231), the '' ear mystical" sounds like a great tribute in the context of American literature to an author whose training was especially attentive, as well as the latest contemporary instances, the events BCE, exporting, consequently, the achievements Europeans of that era in American literary world.

What transpires now with instant clarity in the poems that make up the sensuality Cathay is made from refined sensibility audio of Pound and the substance of his language, which eschews the abstract terms, facendoseli go for the lips in small doses only when feel an imperative need. So abound, as a hobby, but never to the nearest amateur pictures without design, as done by brush, reminiscent of impressionistic great suggestion:

Five clouds hang aloft, on the bright purple sky, The
imperial guards as forth from the house with golden Their a-gleaming armor.

Five hovering clouds in the sky radiating purple
The guards advance from home gold in bright armor.
("The River-Song" / "Singing River")

smoke
The flowers are blurred over the river. His lone sail
bolts to the sky.

smoke dotting the river in flames.
His sailing, alone, a distant sky line.
("Separation on the River Kiang" / "Separation on the River Kiang")

The Kingfishers flash red and green clover and Between the orchid, One bird casts
ITS gleam On Another.

The red blue kingfishers swoop between orchids and clover
exchanging glares.
("Sennin Poem by Kakuhaku" / "Poetry of the Sennin Kakuhaku)

These are the echoes of an enchanted time and discovered how he had lost in disarray in the West tormented by other references, which reappears as if by magic from a world that precedes the Stilnovo, from a medieval legend, war and raids of businesses not captured in the crowd of representation, but in the torpor of loneliness and uncertain expectations, at times of comfort, you may envy the Fisher King his desert. In this sense it may read the report of Ford Madox Ford:

These poems show us [Chinese] like us. ("From China to Peru," in Outlook, June 19, 1915, ed. Ital. in Cathay , Scheiwiller, Milano 1988, p. 9).

Why the aura of ancient China Pound evokes in us the exotic experience of its past at a distance, but without the accent of a nostalgia that relying completely and unconditionally. The tribute, again with Madox Ford, is the 'beauty', and feeling. The discovery of

Contini, who sounded like a warning, that is for all those who auditioned in translating the work of a great poet who, despite numerous publications in life and posthumously, the ease in finding a vast amount of his work and the multitude of suggestions which he offered to writers of his era and those to come (in addition to the inevitable don'ts who tried, even abruptly, to impose) remains largely unrecognized . Just the difficulty in translating Pound requires the effort of translators who audition to 'interpret', exploration, even with the choice of texts that would otherwise abused, and the evocative possibilities of interpretation.

Constantine Belmonte ventured, with a natural love, to translate a part of Cathay (one of the first edition, then enlarged, was published in London in 1915), by failing to follow doggedly track ordinale, richiamandosi piuttosto a un senso non scolastico d'interpretare la poesia, sacrificando la lettera al sentimento e alla sensualità del testo poundiano. È il tributo amabilmente pagato a un autore i cui versi anticipano di circa quindici anni le movenze monosillabiche e fortemente accentuative degli Ariel Poems di T. S. Eliot, e di quasi trenta quelle più variegate dell'edizione integrale dei Four Quartets .

Spero che, in premio alla non facile atmosfera suggerita da Belmonte nell'offrirsi apertamente al gusto della poesia più che alla stretta esegesi letteraria, non si debba dire di questo encomiabile sforzo di avvicinarci un po' più a Pound ciò che il poeta e critico Matthew Arnold wrote in 1865 on the version of ' Iliad Wright:

Mr. Wright's version of the Iliad , repeating in the main the Merits and defects of Cowper's version, as Mr. Sotheby's repeated Those of Pope's version, HAD, if I might be pardoned for Saying I know, no proper reason for existing.

version of the 'Iliad Wright, repeating much of the merits and drawbacks of the Cowper as the Sotheby's repeated those of the version of the Pope, had, if you forgive me to say, an appropriate reason to exist.

( Essays in Criticism, Tauchnitz, Leipzig 1887, vol. I, pp. 6-7)

[ published in: Praz! - Notebook of poetry foreign No 4-5, August 1996, pp. 94-95.]

---

Bibliography:

• Arnold, Matthew , Essays in Criticism. Vol , Tauchnitz, Leipzig 1887, pp. 6-7.
• Contini, Gianfranco, "Ezra Pound and Italy," in Id., Last Elzevir and exercises , Einaudi, Torino 1989, pp. 267-268.
  
• Eliot, Thomas Stearns , Ezra Pound: His Metric and Poetry , Alfred A. Knopf, New York 1917 .
• Ford, Ford Madox , "From China to Peru," Outlook, 19 June 1915, pp. 800-801.
• Pivana, Fernanda , "Conversation on prosody. Interview by Fernanda Pivano Allen Ginsberg, "in Ginsberg, Allen , Mantra of the King of May, Mondadori, Milano 1976 pp. 12-13 .
• Pound, Ezra , " A Few Don'ts by an Imagist " Poetry, Vol 1, No. 6, March 1913, p. 200.
• -, Cathay , Scheiwiller, Milan 1988 .
• -, selected works, Mondadori, Milano 1970.
• Williams, William Carlos , Collected Poems, 2 vols., Paladin, London 1986 and 1991 .

On the Internet:

• Home Edition Cathay of 1915.
• Wikipedia: Ezra Pound .